October 13, 2017Comments are off for this post.
Another series of photographs made with my phone with the VSCO presets I used to edit them.
See more phone photography.
September 6, 2017Comments are off for this post.
I have a confession.
I have a crush on street photography.
I'm still far from being a good street photographer but I decided to start documenting my experiences and see how I evolve. And maybe, if there are any street photography enthusiasts among you, it might be useful to you as well.
Looking back, I think I began to find interest in street photography since my first days of Erasmus scholarship. I spent five months in Turkey, a country full of colors and contrasts and wonderful stories. The thing is, I was so engrossed in everything the Erasmus experience brought my way, that I didn’t rationalize it, I just photographed.
In the following years I focused my attention mostly on portrait and event photography and every once in awhile I shot things I found interesting on the street.
Then a year ago I moved to London and the feelings sparked again, this time stronger. And that's why, I decided to act on them and see how far I can go.
So what is it about street photography that makes me enjoy it so much?
Mainly, street photography enables for me another way to create and tell stories. Stories that I can shoot anywhere, anytime, with any camera.
There are also other reasons that make it worthwhile for me:
In the past I used to find it hard to get out of my own head. I commuted from one point to the other in a ghostly like mode and when I got to a certain destination I couldn’t recall one single thing I saw on my way. That’s not necessary a bad thing, especially when you want to disconnect, but it also meant I missed things.
Street photography teaches me to be more connected with the outside world and to appreciate the beauty in the mundane. I don’t need to go to far away locations to find beauty and to experience brief moments of joy. Often a closer, more attentive look teaches me so much. I notice how people walk and talk, their posture or their mood in that particular moment. I see funny and interesting scenes that play in front of my eyes like a short movie.
In an interview, Neil Gaiman says he needs to write things down to learn what he thinks about something. Similarly, my street photos show me what I pay attention to, what I find beautiful and interesting or not so beautiful. Ultimately they show me a glimpse of my reality.
Street photography makes me more visually curious and pumps up my creativity. Looking at my photos I discovered I'm very interested in colors, shapes and lines. How they combine, how they point things out or how they create a certain mood. And how I, as an active observer, sometimes build up, become part of that scene and transform it.
The process challenges me
In street photography you can observe passively or get involved. Right now I find myself in the first category.
“Taking a portrait of someone – be it man or woman – starts with a conversation.” – Martine Franck
The passive position is easy, comfortable. For example now I’m covering family workshops at the V&A museum. I go where I'm supposed to shoot, get close to the kids and their families, observe and document what’s happening. It’s easy because all those people know what I’m there for, they accept me from the start and I don't need to make an effort and get out of my comfort zone.
The challenge on the street for me is to go over my social anxiety, get closer, connect with people and create powerful images.
My main fear is that someone might get aggressive or do something to my camera. That never actually happened and talking nice to people, smiling or telling them why I took their picture always helped. But to be honest I rarely get close enough. The fear is still inside my head. So everytime I go out I try to be a little braver and do a little better.
Finally, I found these little exercises to be helpful and maybe they'll be useful to you too.
And most importantly enjoy it!